KWAN FONG
CHARITABLE FOUNDATION FUND
2016 International Conference on
Sounds, Images, and Texts on China's Periphery
18 September 2016 - 20 September 2016
Film Screening - WLB109, The Wing Lung Bank Building for Business Studies, Shaw Campus, HKBU
Concert - AST916, Au Shue Hung Building, Ho Sin Hang Campus, HKBU
Conference - AST916, Au Shue Hung Building, Ho Sin Hang Campus, HKBU
Keynote Speech 1 (19 Sept 2016 | 14:15)
Helen REES (Department of Ethnomusicology, UCLA Herb Alpert School of Music)
Topic: Centering the Periphery: Southwest China as Multiple Musical Crossroads
Introduction by Chuen-Fung Wong (Hong Kong Baptist University)
Keynote Speech 2 (20 Sept 2016 | 09:00)
Robert BARNETT (Columbia University)
Topic: Invisibility and Presence: Chinese Motifs in Tibetan Film
Introduction by Jessica Yeung (Hong Kong Baptist University)
Keynote Speech 3 (20 Sept 2016 | 14:00)
Frederick LAU (University of Hawai’i)
Topic: Dangerous Margins: Creative Impulses in Hong Kong’s popular Music
Introduction by Helen Yang (Hong Kong Baptist University)
Panel 1: Text and Performance (19 Sept 2016 | 09:30)
Chair: Tasaw Hsin-chun LU (Academia Sinica)
Abdusemi ABDURAHMAN (Tokyo University of the Arts; Xinjiang Arts Institute)
Topic: 通過錄音資料來復活過去的音樂:以維吾爾古典音樂木卡姆的音聲復原為例
(Sound Restoration from the Old Recordings of Uyghur Classical Muqam)
Altan (Inner Mongolia University of Technology)
Topic: 論文學典籍翻譯中原文本的動態性
(The Dynamics of the Source Text in Translation of Classical Texts)
Turxunjan SIRAJDIN (Xinjiang Arts Institute)
Topic: 吐魯番納孜爾庫姆歌舞的社會功能
(The Social Roles of Nazirkom Singing and Dancing from Turpan)
Panel 2: Socialism (19 Sept 2016 | 11:15)
Chair: Wai Ping YAU (Hong Kong Baptist University)
Laikwan PANG (Chinese University of Hong Kong)
Topic: Modernizing Xinjiang Culture: Below the Kezile Mountain as “Xinjiang’s” First Novel
Ming-wei PENG (National Chiao Tung University)
Topic: 我們要如何向台灣原住民族道歉?:一位外省漢人作家關曉榮介入原住民運動之路
(How to Make an Apology to Taiwanese Aboriginal People? A Non-Taiwanese Han Writer Guan Xiaorun’s engagement in Taiwanese Aboriginal Movement since 1980s)
Niccolo PIANCIOLA (Lingnan University)
Topic: Making Sense of the Cultural Revolution in Xinjiang: Cross-Border Narratives
Panel 3: Art and Music (19 Sept 2016 | 15:45)
Chair: Andre ELIAS (Hong Kong Baptist University)
Hiroshi AOYAGI (Kokushikan University)
Topic: On the Ethnographic Implications of Chinese Musical Heritage in Contemporary Okinawa: Drawing Some Inferences from Rujigaku Performances
Siu Woo CHEUNG (Hong Kong University of Science and Technology)
Topic: Batik Art as a Contending Practice for Identity: Politics of Ethnic Classification in Southeast Guizhou
Charlotte D’EVELYN (Loyola Marymount University)
Topic: Borderland Stories: Mongolian Fiddles and Fiddlers in Horchin, Inner Mongolia ca. 1900-2015
Loretta KIM (The University of Hong Kong)
Topic: Representing Names in Non-Han Genealogies: Dagur Clan Records as Onomastic Tapestries
Panel 4: Theorizing the Periphery (20 Sept 2016 | 10:30)
Chair: Howard Yuen Fung CHOY (Hong Kong Baptist University)
Victor FAN (King’s College)
Topic: Subjectival Catharsis: Time and De-Subjectivization in Pema Tseden’s Tharlo
Kim Ho IP (Freie Universität Berlin)
Topic: Center, Periphery and Ver-stehen: Regenerative Power Brought by the Peripheral
Kwai-Cheung LO (Hong Kong Baptist University)
Topic: Nature’s Call: Sound in the PRC’s Ethnic Minority Ecocinema
Reinhard STRAUB (National Chung-Hsing University)
Topic: English Language Music as Sinophone Articulation
Panel 5: Ethnography (20 Sept 2016 | 15:30)
Chair: Kwai-cheung LO (Hong Kong Baptist University)
Rena EKREM (Hong Kong University of Science and Technology)
Topic: Space of Their Own: “Qatar Chay” Activity of Uyghur Women in Urumqi, Xinjiang
Samuel HORLOR (Durham University)
Topic: Mainstream on the Margins: Synergy Between Periphery and Centre in Wuhan’s Street Music
Andrew Xiaoshi WEI (Indiana University)
Topic: Ghulja Music in Olturush: The Archives of Bextiyar Hebibulla
Matthew A. WERSTLER (Youjiang Medical University for Nationalities, Baise, Guangxi)
Topic: From Village to the City: Folk Song and Changing Landscapes in Baise City